Discobelle Records

Discobelle Records will try to give you the best things you didn’t know you loved.

 

Here are the releases from Discobelle Records so far:

 

Disco of Doom – Shake and Bake EP

Support Discobelle Records and Disco of Doom, go buy the release over on Juno.

 

Guy Andrews – Your Notion EP

 

DBR21: Myrryrs – Feel U EP

Support Discobelle Records and Myrryrs, go buy the release over on Beatport.

 

DBR020: Turned On: Vol. 2 Compiled by Neoteric

Support Discobelle Records, go buy the release over on Beatport.

 

DBR19: Teenage Mutants – Bangla

Support Discobelle Records and Teenage Mutants, go buy the release over on Beatport.

 

DBR18: Botnek – Plonk

Support Discobelle Records and Botnek, go buy the release over on Juno.

 

DBR017: Meati & Meech – Bock

Support Discobelle Records and Meati & Meech, go buy the release over on Beatport.

 

DBR016: Disco of Doom – Invader

Support Discobelle Records and Disco of Doom, go buy the release over on Juno.

 

DBR15: Voltron – Freshmen EP

Support Discobelle Records and Voltron, go buy the release over on Juno.

 

ARWEB093/DBR006: Boeoes Kaelstigen – Lou

Support Discobelle Records and Boeoes Kaelstigen, go buy the release over on Juno.

 

DBR005: Femme En Fourrure – Dirty Blond II

Support Discobelle Records and Femme En Fourrure, go buy the release over on Beatport, Juno, or Boomkat

 

DBR004: Turned On: Vol. 1 Compiled by Neoteric

Support Discobelle Records, go buy the release over on Juno Amazon or Boomkat.

 

DBR003: Femme En Fourrure – Dirty Blonde

Support Discobelle Records, go buy the release over on Beatport.

 

DBR002: Jamtech Foundation – Too Fast

Support Discobelle Records, go buy the release over on iTunes, Juno, Beatport, Boomkat , Amazon

 

DBR001: MVSEVM – French Jeans

Support Discobelle Records, go buy the release over on Beatport.

Become a fan on Facebook or visit our MySpace page.

If you are talented artist that would like to get in touch with us hit us up here.

DISCOBELLE DJ'S - HORIZONTAL

Discobelle DJ’s

UPCOMING GIGS:

Fri 12/2 Revier Club, Zürich Switzerland
Fri 12/2 Club Bonsoir, Bern Switzerland
Sat 27/2 Pastor Wiberg @ Mejeriet, Lund Sweden
Fri 5/3 Belle Epoque, Malmö Sweden
Sat 6/3 Vive La Fete @ Café Rasoir, Malmö Sweden
Sat 13/3 Helsinki, Finland
Tue 16/3 Whyred in-store, Malmö Sweden
27/3 Sucasa Club, Ulm Germany
14/4 Smuts @ Babel, Malmö
12/5 Warriors @ Debaser, Malmö Sweden
15/5 Villa, Berlin Germany
21/5 Belle Epoque, Malmö Sweden
29/5 Vive La Fete @ Café Rasoir Malmö Sweden
2/6 Uberklub, Bielefeld Germany
12/6 Absolut Vodka party, Malmö Sweden
5/7 Club Monday, Halmstad Sweden
10/7 MaliBoom Boom Summer Tour party @ Strand, Borgholm Sweden
6/8 Belle Epoque, Malmö Sweden
21/8 Grolsch Block Party, Stockholm Sweden
28/8 WTF?! @ Hotel Reisen Stockholm Sweden with DBTY
17/9 Noize! @ The Warehouse , Malmö Sweden
24/9 Fashbinders with Mikix The Cat @ Adelgatan 2 Malmö, Sweden
3-4/11 Mstore by MacSupport, opening party in-store, Malmö Sweden
12/11 Belle Epoque Malmö
13/11 Noize! @ Inkonst Malmö
20/11 Nolla, Helsinki Finland with Femme En Fourrure & Tane Lee
19/2 Plano B, Porto Portugal
25/2 Humana in-store party, Malmö
25/2 Tricks/Tricks/Tricks @ Babel Malmö, with Zebra & Snake
4/3 Belle Epoque Malmö
23/3 Sound Pellegrino x Discobelle party @ Electric Pickle, Miami
1/4 Onitsuka Tiger Scandinavian Launch Party @ Slakthuset, Stockholm
5/8 Belle Epoque, Malmö
TBC 13/8 Rust, Copenhagen
12/11 Belle Epoque, Malmö
TBC Helsinki, Finland
TBC London
3/12 Belle Epoque, Malmö

INFORMATION:

Apart from all the blogging, we DJ quite a lot. We play the same sort of music that we post, so if you like the blog – you’re going to have a good time on our dancefloor as well. Also, the blog reaches out to a lot of people and attracts a crowd that likes what we’re about. That’s the sort of crowd you want as well, we promise.

We’ve shared the dj booth/stage with a wide assortment of artists/dj’s including the likes of Simian Mobile Disco, SebastiAn, Fluokids, Nadastrom, Tittsworth, Risky Bizniz, Thunderheist, Krazy Fiesta, Oxy Cottontail, The Glass, Dan M, DJ Suijinho, Audioporno, Kornel Kovacs, Fagget Fairys, DJ Dainja, Boody B, AC Slater, Sir Nenis, Sharkslayer, Pets On Prozac, Jamtech Foundation, Cousin Cole, Pocketknife, Casper C, Jess Jubilee, DJ Wool, Mumdance, Cobra Krames, Totally Enormous Extinct Dinosaurs, Ben Mono, Niyi, Renaissance Man, Sekta, Arveene, Solo, Spoek Mathambo, Bok Bok, WooBanger, Hot Pink Delorean, Femme En Fourrure, Solo, Tane Lee, Zebra & Snake etc.

If you want get in touch about a booking, either drop our booking agency – Awesome Agency – a line over at leo[at]awesome-agency.com or contact us at booking[at]discobelle.net and we’ll get back to you.

Daft Punk – Random Access Memories, The Collaborators: Paul Williams

Daft Punk – Random Access Memories, The Collaborators: DJ Falcon

Nardwuar vs. Questlove (video)

Maceo Plex – DJ-Kicks (video interview)

Maceo Plex talks a little about his “DJ-Kicks” compilation that’s released today, grab a free track in exchange for your e-mail via the player below.

Daft Punk – Random Access Memories, The Collaborators: Chilly Gonzales

Daft Punk – Random Access Memories, The Collaborators: Panda Bear

Grum-Everytime-960x960

Interview: Grum

I’ve missed seeing Grum perform twice in Austin, Texas and once in New York City, but as consolation I had the opportunity to chat with Graeme Shepherd, the man behind the moniker. Grum came to prominence four years ago with the single ‘Heartbeats’ and with the help of blogs like Discodust, the Scottish-born producer was introduced to a worldwide audience. His follow up releases ‘Can’t Shake This Feeling’ and ‘Through The Night’ met with equal approval from dance floors and now Grum is preparing his second studio album Human Touch. The lead single off the album is ‘Everytime’, which first appeared on Annie Mac’s show on BBC Radio 1. People expecting the Grum of 2010 and disco well…this isn’t it. ‘Everytime’ is a reverberating through the smoke and lights of a warehouse at 4AM house track that washes over you with cascading synth waterfalls. It demonstrates Grum’s talent as a producer and his ability to transcend genres. I’ll always have spot for ‘Heartbeats’ on any and all playlists but I also welcome new Grum and look forward to hearing the rest of Human Touch.

Nancy Lu: How would you describe yourself as an artist?
Graeme Shepherd: I think what most defines me is a good ear for emotion and melody. I always like to think my music has a certain class and feeling to it. My production is generally more about warmth than being too clinical.

Nancy: What initially inspired you to create music?
Graeme: As a youngster I had various obsessions with different pop songs – usually electronic, so always had a general interest in music. The initial buzz of discovering dance music as a teenager (MOS Dance Nation compilations!) got me interested production. It was such an exciting thing and I felt that I had something to contribute. For me, it’s always been about creating something that gives a big emotional response.

Nancy: It’s been almost three years since Heartbeats. Can you tell us what you’ve been up to in the interim?
Graeme: I suppose it looks like I’ve not been doing a lot. The touring and remixing schedule after Heartbeats came out was non-stop. I started to get on with producing the new album in early summer 2011 and it took about a year to complete. The first song that came out of this was Everytime. After passing it to a few DJ friends and getting a great response, it helped set the path for the record.

Nancy: You initially got your break via Aleks at Discodust and now blogs are more important than ever in artist/music promotion. One might say that there are too many blogs, which leads me to the topic of over saturation in the industry in general. What are your thoughts on this and do you feel like this adds any pressure for you as a music maker?
Graeme: I think if the music is good enough, in the end it will always reach some level of success. It does feel like there are many many more people producing dance music now than even just 3 years ago. It’s hard to keep up with the number of new names. However, a lot of it is very throwaway. There appears to be a lot of “me too” productions without much innovation. It’s an even greater problem in a genre like nu disco which has many brilliant producers but is inherently conservative.

Nancy: From Heartbeats to Human Touch, how would you say your sound has changed?
Graeme: I think 5 years of DJing has had the cumulative effect of inspiring me to create more of a club record. This album is far more contemporary than Heartbeats. As an artist I am now much more interested in creating our own good dance music culture than relying too heavily on nostalgia.

Nancy: What are your thoughts on American dance music culture vs the rest of the world?
Graeme: I think it’s a great thing that dance music has blown up over there. The US has always had their own unique take on things: cars, food, sports… it makes sense that the music has taken a similar path. However I can’t say that the EDM stuff has very much to do with me and what I enjoy.

Nancy: Tell us more about Human Touch and what we can expect.
Graeme: Human Touch has a different overall aesthetic to Heartbeats. I think over exposure to electro and disco had me longing for the Halcyon days of ravier sounds and less over-production. A more open minded attitude. Big dancefloor and festival moments, without being dumb. Some introspection. We are living in a world of celebrity worship, constant communication, paranoia and division – this album is about forgetting all that and losing yourself a bit. I think people will be pleasantly surprised.

Nancy: Dream collaborations?
Graeme: Sasha, Orbital, Gui Boratto.

Nancy: Tell us something not a lot of people know about you.

Graeme: I can speak a little Russian.

The Knife – Shaking The Habitual: The Interview

Nardwuar vs. Pusha T

Major Lazer – Jamaica Tour Premiere

Red Bull Caribbean produced video from when Major Lazer kicks off their Caribbean tour in Jamaica.