“Let’s Kiss” was written the same week as “Under Your Spell” in November 2008. After a bizarre & beautiful twist of fate, I walked into a remote bar in Montreal where I met the love of my life. The next morning… Ida & I had to leave. We flew to France for a handful of sweaty club shows. On the train out of Paris, I realized my whole world had been permanently turned upside down. The rain was crashing against the windows… & I decided I wanted to make a record that felt like that moment frozen in time”
Another fine moment of gloomy, modern disco from producer Johnny Jewel. “Let’s Kiss is taken from the Italians Do It Better released compilation “After Dark 2”.
Amazing collection of tracks and perfect companion to these dark winter months from Johnny Jewel and Nat Walker and their “Symmetry – Themes For An Imaginary Film” project.
“Three years in the making, Symmetry – the project that began as a conceptual tangent between Glass Candy, Chromatics, Mirage, & Desire’s more abstract sides – finally sees its release this month. Themes For An Imaginary Film is two hours of claustrophobic cinematic bliss compiled for Painters, Writers, Photographers, Designers, Cruisers, Night Walkers, & Dreamers. Adrenaline drips thick like syrup across a horizon where memories become blurred scenes behind the windshield & yesterday’s faces fade as the road strobes to aggressive rhythms. Romantic melodies linger in the rearview mirror as chimera bells saturate the electric fog that’s slowly rolling in.
Over the span of thirty seven tracks, Symmetry embraces the elegance of European noir cut with a lean & violent American razor. Directly in your face & breathing down your neck one minute, & escaping beyond the night sky the next. The attention given to color & detail on these recordings is more graphic than musical. More visual than aural. With no flashy virtuosity to clutter the mood, the album’s pulse thrives on the empty pockets of space left in the wake of throbbing bass & the faint flicker of electro candlelight. Minimal, strict, & always in motion, there’s an oppressive overtone throughout the record that winds itself tight as a clock. Johnny Jewel & Nat Walker (Chromatics & Desire) give us propulsive moments that are more rhythm based than Pop, & less reliant on a lyrical presence than their other projects.”