This is the first single to be taken from the L-Vis 1990 debut album “Neon Dreams”, the Javeon McCarthy fronted “Lost In Love” is a bit of change from our previous encounters with the London producer and Night Slugs co-founder seeing as it oozes of neonlaced, discoinfused synthy goodness. The single is released September 26th and comes backed with remixes from Neon Dreams and Night Slugs, the “Neon Dreams” album will be out on October 3rd.

Bok Bok & L-Vis go back to back with Martyn, the founder of 3024 and generally nice guy (from the vibe of this radio show at least).

Bok Bok & L-Vis 1990 on Rinse FM w/ special guest Martyn – 31 May 2011 (download via Night Slugs)

Also, don’t sleep on Bok Bok’s newly released EP on Night Slugs, a love letter to early 2000s grime.

Sea Foam Mix (Summer 2011) by Femme En Fourrure

Tracklist after the jump!

1. Elgato – Music (Body Mix) [Hessle Audio]
2. Rocky Jones – The Choice Of A New Generation (Deep Underground Mix) [DJ International]
3. Kim English – Nite Life (Sound Factory Version) [Nervous Records]
4. San Soda – Let’s Go [We Play House Recordings]
5. Ed Davenport – More Red Lights [NRK Music]
6. Diegors – Unga [Cómeme]
7. Teeth – Shawty VIP [White]
8. Julio Bashmore – Ask Yourself (Midland Remix) [PMR Records]
9. Untold – Just For You (Roska Remix) [Hotflush Recordings]
10. Blawan – Getting Me Down [White]
11. Nick Monaco – Boom Soul (Femme En Fourrure Remix) [Demento Mori]
12. Groove Theory – Tell Me (George FitzGerald Remix) (White)
13. Claude VonStroke – Monster Island (Christian Martin Remix) [Dirtybird]
14. Bok Bok – Hyperpass [Night Slugs]

A new Scion collaboration with Trouble & Bass has produced this new “Sound of NYC” imprint, featuring contributions from Cubic Zirconia, Drop The Lime, Hussle Club, and this cut up club masterpiece by Kingdom, which merges the club rave and hip hop influences together in a chirpring, stutter step inducing package.

Also, Kingdom’s new collaboration with Girl Unit on Night Slugs white label vinyl series drops this Thursday and includes a pitched up re-imagining of Ciara’s “Ride” which will haunt your dreams for a while, most likely.

Egyptrixx’s debut album, the “Bible Eyes” LP is out now, and as a reminder to pick up this grizzled portrait of celestial electronic club music, we’re posting a few of the tracks we’ve been listening to in building anticipation for this album. Murky and brooding one minute, it has the tendency to erupt into rising synths that sound like fireworks or other more sinister explosions in the sky. The tone shifts from introspective to boomingly confident, and it’s all fantastic.

Egyptrixx – Chrysalis Records (feat. Trust)

Egyptrixx – Chrysalis Records (feat. Trust) (video)

Cubic Zirconia – Josephine (Egyptrixx Dub)

Be sure to grab Bible Eyes digitally on Boomkat, or as a 2 x LP on Juno Records.

Also, you can read a brief interview with Egyptrixx after the jump where he talks a bit about the making of Bible Eyes.

Discobelle: Making an album seems different than EPs in the sense that it’s trying to maybe evoke a more consistent narrative.

Egyptrixx: Yea, the LP format simultaneously provides more space to experiment but also a greater opportunity to be cohesive. It was a lot of fun to write, I definitely enjoyed the process.

Do you feel like the difference in feeling between albums and EPs makes you want to focus on one more than the other in the future?

I’m not sure “feeling” is so directly tied to one format or the other, but right now my mind is thinking in terms of full-length albums.

When working on an album, do you ever feel like the final product has become something other than what you’ve intended it to be? Or when making something as big as an album, is it important to feel like you’re somewhat in control of all finer points of the process?

At the outset, the only thing I had in mind was a set of parameters; a sound palette, some song structure guidelines and a vague lyrical theme. These guides are pretty important to me, I find it almost impossible to work without them. It wasn’t that I was ever working towards an envisioned final product, but always within those parameters.

You’ve been touring quite a bit lately. How’s the experience of re-assembling material from the Bible Eyes LP been live?

Its been interesting, and mostly great. Still a work in progress for sure.

This album marks your first vocal collaboration with Toronto based artist Trust. How did the collaboration happen, and will you be incorporating more collaborations into future work?

I’m a big fan of their band and approached them to write some songs. In my experience, the mechanics of each collaboration are usually completely different. No two are alike. Ill definitely be doing more collaborations.

Looking back to some of your earlier work, how would you say that Bible Eyes differs?

The album was the first thing I wrote being fully committed to Egyptrixx as a full-time gig, up until this point most of my releases were just experiments with different sounds or production techniques.

What’s on the horizon for Egyptrixx?

More writing and more touring.

“What is Girl Unit? Juke? Dubstep? Drag?! Nope, he’s none of them. He’s the original founder of G-Unit, who left before they made the big time because of their degrading views on women and lack of tracks devoted to social issues. Maximum respect!”

Bok Bok flying the flag for Night Slugs, and the idea that all you need to dance ’til your shoes fuck up is drum beats and basslines in varying forms.”

PS. Check out the Night Slugs crew taking over XOYO for the Bang The Box party in London tomorrow (saturday March 5th).

How’s that apple, Egyptrixx? I bet it doesn’t taste nearly as good as your forthcoming Bible Eyes LP on Night Slugs will be. In anticipation, here’s Egyptrixx’s 25 minute live set from the Night Slugs show on the 20 December 2010, featuring some re-assembled material from the forthcoming LP.

Also, if you missed the amazing video for Chrysalis Records ft. Trust, watch it here with all the lights out.

Egyptrixx live on Rinse FM – 20 December 2010 (direct link)

Haunting new Egyptrixx video by Eva Michon of Toronto based Bad Day Magazine.

If you missed it the first time, you can also download “Chrysalis Records” here.

Another big release from the Sound Pellegrino camp, the “Caravan/Watching You” EP by Swedish production tag team Savage Skulls drops on February 14th.

“Infamous duo Savage Skulls are back and they found some time between their collaborative projects with Robyn, Douster, Crookers and Marcus Price to hit with two slick dancefloor destroyers. “Caravan” is a tech house stomper backed by a mesmerizing melody of vocal chops that you will instantly recognize. “Watching You”, their collaboration with flatmate Tony Senghore and vocalist Sprinkle Juice is raw, stripped-down backroom electro at its finest: sensitive but not devoid of muscle. On remix duties, Montreal sensation Jacques Greene (Lucky Me, Night Slugs) united garage deepness with a jacking 90′s feel, while Made To Play’s Payme (Jaime Anderson from Idiotproof) offers a classy tracky rework build for the front room.”

SAVAGE SKULLS ‘Caravan / Watching You’ EP preview by soundpellegrino

Kingdom’s latest release on Night Slugs was amazing for the eerie, mist filed forest dance floor vibe that it conjured up, but there’s something I find almost even more exciting about the superb edits of mainstream tracks that he’s been putting out regularly.

Often showing his influences in a more direct way, these edits aren’t afraid to substantially rework the tracks, whether that means cutting Kanye & Jay Z out of “Monster”, taking Sean Kingston out of his duet with Nicki Minaj, or in this case taking out all the rapping and just leaving in a trancelike synth line and Jim Jones hoarsely yelling “I need y’all to rewind this and play it from the top!” Will do, Jim Jones. Will do.

Automatik / Jim Jones – Go Cinderella (Kingdom Edit Instrumental) (Mediafire)