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Berlin-based Irish/Australian duo Evvol released their debut album “Eternalism” via !K7 Records back in the summer of 2015 and last year saw the release of the critically acclaimed “Physical L.U.V” EP, it’s title track has now been given the deluxe remix treatment it deserves.

Dutch producer and Klakson Records (the label he runs together with Steffi) head honcho Dexter ramps things up with his own audacious take on the track that transforms the track into a steadfast, rhytmic slice of menacing house.

Evvol are currently in the studio writing their full-length follow up to “Eternalism”.

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NYC duo Tempers are releasing their “Fundamental Fantasy” EP this Friday February 24th via The Vinyl Factory. It’s a follow-up to the band’s 2015 debut “Services” which won praise from the likes of Pitchfork, The Fader, Stereogum and Noisey to name a few.

“‘Fundamental Fantasy’ is about exploring the creative scenery of romantic illusions. Our need for them, how we justify them to ourselves, that moment when the imagined story line collides with reality. The ways we fictionalize people to fit into the narratives we have about love – to reflect our own beliefs, virtues and flaws. It is about celebrating fantasies swelling and getting undone, so we can pick up the pieces and craft new ones that serve us better’

The duo (Jasmine Golestaneh and Eddie Cooper) create an emotional and tonal tension of sensual and mechanical impulses with their brand of dark electronica that sets haunting songs to a sinister disco beat and pop melodies floating in an almost industrial soundscape.

Here in an exclusive Discobelle premiere, Paris-based producer Joakim remixes the band’s latest single “Tail In My Mouth” into a highly hypnotic dark, leftfield electroish remix that’s propelled forward with a steadfast beat.

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Montreal dance music star Tiga returns to the dancefloor and to Turbo Recordings with new single “Eye Luv U” (co-produced by Quinn of Paranoid London) which is his first new material since last years “Blondes Have More Fun” release.

“Eye Luv U” will be the first of a series of releases from Tiga on Turbo in 2017, including a fresh collaboration with Audion aka Matthew Dear.

“The title came to me while I was playing a pyramid that had been converted into a multi-purpose event space,” says the Canadian DJ/Producer. “The hieroglyphics over what is now the coat check made me imagine a world in which pictures could mean words and words could mean anything. The thing about wordplay is that it’s fascinating to conceive of different realities informed by different systems of meaning, and how each reality would invariably bend to vault me to the pinnacle of all possible worlds. It’s humbling, really.”

We here at Discobelle have been following Tiga’s career closely since we started 10 years ago and we’re super pleased to be able to premiere the remix from German producer/dj Butch who wins us over with his amazing “80s Warehouse Acid Remix”, that title pretty much gives away exactly what you’ll hear with hypnotic squelchy pads and bleeps.

Swedish artist Alexander Sjödin doesn’t fit most of the archetypes associated with electronic music. Under the moniker Sailor & I he explores a territory that brings to mind the melancholic, ambitious and richly orchestrated songwriting of Sigur Ros or Bon Iver, as much as the deep house/techno class such as Solomun and Dixon. His debut album “The Invention Of Loneliness” will be released via Skint on February 24th. As a precursor we can premiere the fantastic teched out and club ready Johannes Brecht remix of newly released single track “Chameleon”.

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Los Angeles by way of Sydney producer/dj/artist Anna Lunoe should need no further introdcuction for anyone interested in dance music, her 2016 massive OWSLA single release “Radioactive” was one of the highlghts of last year with its pop hook filled house sound.

Now, a remix package for the single is about to drop tomorrow Friday February 10th via Sweat It Out and we can premiere the remix from Phoenix producer Gerry Gonza who beefs up the original version with among other things wobbly bass in order for it to pack an even heavier punch on the dancefloor.